Art 'n' Culture
Pick o' the month
El Bello Urushi
In conjunction with the Japanese Embassy, the Museo
Nacional de Artes Decorativas presents an exhibition that brings a welcome change to the Madrid art scene. Coming from the Tokyo-based Lacquerers Association of Nikon Shikko Kyokai, is a superb collection of artistic works that have been decorated in the traditional Japanese lacquering process. The word “Urushi” literally means “lacquer picture”, and it also refers to two types of Japanese artwork: lacquer paintings and traditional woodblock printing styles. The exhibition unites pieces that have been elected for the annual exhibition that is celebrated in the Nihonshikkou Kyoukai palace in Japan, and it was previously on display in Barcelona during April and May this year. Urushi lacquer is particularly well-known for its shine and quality and has been appreciated since antiquity.
Museo Nacional de Artes Decorativas, c/Montalbán, 12, tel: 91 532 64 99 (Metro: Banco de España/Retiro). Tue-Sat, 9.30am-3pm; Sun/Holidays, 10am-3pm. Until 27 July. Entry €2.40.

MUSEO THYSSEN-BORNEMISZA
Pº del Prado, 8, tel: 91 369 01 51 (Metro: Atocha/Banco de España). Tues-Sun, 10am-7pm; Mon, closed. General entry: e6, concession: e4.

Miró: Tierra. Earth is the principal theme here and it flows through the artist’s work as a guiding force. For Joan Miró the idea of “earth” represented his native land of Catalunya, but it was also a key that allowed him to explore the many important values and qualities of rural life and culture: fertility, sexuality, fable, excess life and death. Miró was the great forerunner of informalism and abstract expressionalism, where emotional experience is expressed instead of the artist’s impressions of the external world. In artistic terms, “earth” can represent a mistrust of form, and it is features such as this that one can see in Miró’s work, which are highlighted throughout the exhibition. As a result of his style, many artists continue to express themselves in a similar way, with the same artistic features evident in the works of the next generation.


CÍRCULO DE BELLAS ARTES
C/Marqués de Casa Riera, 2, tel: 91 360 54 00 (Metro: Banco de España). Tues-Fri, 5-9pm; Sat, 11am-2pm and 5-9pm; Sun, 11am-2pm; Mon, closed. Entry: e1.

Sean Mackaoui: Zoco Sean Mackaoui was born in Switzerland, but is actually half English and half Lebanese. He has lived in Madrid for five years. The works in his exhibition are collages and montages assembled from incongruent elements such as magazine cuttings, random words from the press and images torn from other literature. He mixes elements of different media in order to create new meaning. The effects are interesting and the style is slick and sharp. Until 31 August.


MUSEO DEL PRADO
Pº del Prado, s/n, tel: 91 330 28 00 (Metro: Atocha). Tues-Sun, 9am-8pm; Mon, closed. Entry: €6, or free on Sundays.

Cy Twombly: Lepanto Regarded as one of the most important American artists who started out in the 1950s, Cy Twombly is held in high esteem by the international art world almost more so than any other modern artist. Born in 1928 in Lexington, Virginia, Twombly studied at the School of the Museum of Fine Arts in Boston and later at the Arts Student College in New York. In Lepanto, the Prado aims to create a “dialogue” with the permanent historical collection through the artist’s modern take on the traditional genre of battle paintings. Furthermore, the museum wishes to establish a link between Twombly’s work, which was created especially for the Venice Biennale in 2001, and the sensuality of the narrative paintings by 16th-century Venetian masters. Twelve large canvases are on display, in which the artist depicts important naval battles of early modern history. Until 28 September.


CENTRO DE ARTE REINA SOFIA
C/Santa Isabel, 52, tel: 91 774 10 00 (Metro: Atocha). Mon-Sat, 10am-9pm; Sun, 10am-2.30pm. Tues, closed. General entry €6; reduced entry, €3; free entry, Sat, 2.30-9pm and Sun, 10am-2.30pm.

Javier Riera: Noche Áurea In this exhibition Javier Riera explores the connection between man and nature through his artistic images of light and landscape, while promoting the concept of man and the universe. Working with sunsets and nights of a full moon, the artist composes his photographs using landscapes and nature as his principal subject matter, combined with geometric light projections of Celtic circles and labyrinthine patterns. In Noche Áurea Riera has abandoned the canvas, yet has still conserved the basic concepts of pictorial artwork, therefore managing to express himself through another medium. Until 1 September.

Other Galleries

Martirium This is the current exhibition at the very cool Mad is Mad art gallery, just a stone’s throw from the main plaza in downtown Chueca. Martirium presents 13 reproductions of miniature prints by the Catalan artist Ramón Sanmiquel. The series of works have been entitled Anti Vanitas, and each depicts stigmatised saints and other images of a religious theme. However, it’s recommended that you go along just to see the gallery. Mad is Mad is promoted as a new concept gallery; stylish and imaginative, slick and funky, cosmopolitan and a little bit crazy. Here you can see photography, paintings, video installations and sketches. Opened in October of 2005, Mad is Mad already represents more than 60 artists, from the young and up-and-coming, such as Javier Lozaro and Aitor Saraiba, to the more established names of Isable Muñoz and Isaskun Chinchilla. Mad is Mad, c/de Pelayo, 48, tel: 91 391 43 11 (Metro: Chueca). Mon-Fri, 5-9.30pm; Sat, 11.30am-2.30pm and 5-9.30pm; Sun, closed. Until 31 July.

PhotoCall

W. Eugene Smith: Más Real que La Realidad
Part of the PHotoEspaña 2008 festival, this is a breathtaking exhibition of shockingly beautiful images by one of the main figures in humanist photography. The artist’s career as a photojournalist developed during some of the most important periods of modern contemporary history, carrying out some 50 projects known as “Photographic Essays” for Life magazine between 1946 and 1954. Images were accompanied by long explanatory texts that provided detailed discussion and analysis of the photograph.
W. Eugene Smith’s work came from his personal obsession with the truth, and as a result he produced passionate, idealistic, sensitive and optimistic images. Más Real que la Realidad is a strange and wonderful collection of surreal photographs that present nothing more than the bare truth, yet at the same time they portray feelings of disbelief and the unknown. The artist’s works have graced the walls of some of the world’s finest galleries, including MoMa in New York, the Centre George Pompidou in Paris and the Victoria & Albert museum in London. Teatro Fernán Gómez, Centro de Arte, Plaza de Colón, 4, tel: 91 480 03 00 (Metro: Colón/Serrano). Tues-Sat, 10am-9pm; Sun/holidays, 10am-7pm. Until 27 July.

Dance

Tribal This Arabic dance features the mysticism, strength and sensuality of the desert. This is where the philosophy of the Arabian dance comes from, and has influenced gipsy and northern African dance. This production wants to show the most characteristic aspects of the elegant style of dance with some beautiful choreography, where the dancers must have complete control of their bodies. They make hypnotic movements, much like snakes, and the music that accompanies them speaks in a direct voice. In such a hot environment, the audience is transported into Arabic culture. The amazing scenery and costumes highlight the setting and produce an indelible effect. Saada Tribal Group is the first company of this style of dance to form in Spain. Sala TIS, c/Primavera, 11, tel: 91 528 13 59 (Metro: Lavapies/Antón Martín). Tickets: €13. Fri, 9pm, 18 July.

Opera

Idomeneo Can you imagine writing an opera at age 25? Mozart did it. The opera took a long, long time to compose, both because of father Leopold’s heavy influence and because little Wolfgang himself was a perfectionist, but it was well worth the wait. Idomeneo was an immediate success upon its premiere in Munich in 1781, and convinced the young artist to leave his hometown of Vienna for Salzburg, in search of a world ready to receive his music. Think of it as the big move to New York or London. Don’t miss this, the very first occasion the opera will be performed at Teatro Real. It’s the only one of Mozart’s great operas yet to have that honour — you could be a part of musical history! Teatro Real, Plaza Oriente, tel: 91 516 06 06 (Metro: Ópera). Tickets: from; €16. 8pm, 17-27 July (except the 22nd).

Vallis Musicæ Haven’t been to church in a while? Need a break from the Malasaña scene? Come and listen to the heavenly voices of this Connecticut-based choir perform gospel spirituals to kick off their tour of Spain. The line-up includes a mass by Joseph Haydn and a poem by Samuel Barber, along with the always-beautiful “Ave Maria”. Catedral del Redentor, c/Beneficencia, 18 (Metro: Tribunal). Free entry. Tues, 8pm. 1 July.

 

Theatre

Veranos de la Villa The two-month summer festival means espectaculos of all kinds, but here are a few of our favourite theatre picks. Keep your definition of theatre open to interpretation; we have a one-man drama, underwater Shakespeare, and an environmental lesson with a colourful twist. For more on the festival see www.esmadrid.com/veranosdelavilla

La Lluvia Amarilla Andres is the last living inhabitant of Ainielle. His neighbours all left or died, his daughters came to tragic ends, and his wife . . . well, you’ll see. He recounts his memories — or are they the memories of his old neighbours? — to tell the story of the crumbling of his beloved village. Ghosts, nature (the titular yellow rain is falling leaves, full of symbolism), and his own imminent death provide the only other characters in this one-man show about the debilitating power of change. Teatro Español, Sala Pequeña, c/Príncipe, 25, tel: 902 101 212 (Metro: Sol). Tickets: €16. Tues-Sat 8.30pm; Sun, 7pm. (Tues and Wed, 25 percent discount.) 3-27 July.

MacbethLadyMacbeth Another twist on Shakespeare? Well, with an underwater setting and those essential elements of air, water, earth and . . . glass . . . this one’s sure to be interesting. Oh, and the lady of the house plays a much bigger role here too. Do the feminists of the world really want Lady Macbeth as an emerging figurehead? Judge for yourself. Matadero de Legazpi, Paseo Chopera, 10, tel: 91 517 73 09 (Metro: Legazpi). Tickets: from €22. Tues-Sat, 9pm; Sun, 8pm. Until 11 July.

El Jardin de los Pensamientos de Colores Think Dr Seuss meets Al Gore meets, well, your neighbourhood interpretive dance troupe. Colourfully dressed and very eco-friendly characters get the kids involved to teach us some sure-to-be memorable lessons about climate change and loving our planet. Not convinced yet? There is actual tree-hugging involved. Yeah, it got us too. Templo de Debod, P° Pintor Rosales, 2 (Metro: Ventura Rodríguez). Free entry. Thurs, 9.30pm. 31 July.
Los Posos del Café In a grey, decrepit and unkempt bar, people talk about their lives, their sadness, their unrealised dreams and their past loves. Suddenly, these images appear from the past, and with the swirl of a wine glass or a drink from a cup of coffee, they come alive again in the present. The play is based on various stories and poems by Mario Benedetti. Trying to put his magical words to life in a precise and able manner, the actors present their characters with a complexity of melancholy, surprise, hopelessness and a bit of humour. All these tales are played out in a bar, whose waiter represents the centre of the universe for the characters. The main story revolves around Rogelio, a man absorbed in telling the sad story of his life to anyone who will listen. He talks of various tragedies and mistakes, but mostly about Angélica, who appears often in his imagination and also in the faces of others. The work is an honest and difficult homage to Mario Benedetti. Teatro Lagrada, c/Ercilla, 20, tel: 91 517 96 98 (Metro: Acacias/Embajadores). Tickets: €12. Mon-Tues, 9pm. 7-29 July.

Stage Divas! ("¡Divas en el escenario!") Sexy, unapologetic and fun, a production 101 percent about women, but appropriate for both sexes. From the creators of Bartuschka, Stage Divas! has enjoyed tons of success since its premiere in 2004.The concept is simple: each play is distinct and works as a platform for female stars and emerging theatre talents as well as comediennes, dancers, musicians and performance artists to show their stuff. Stage Divas! is presented every 15 days in Berlin and has also toured London. Madrileños will have the chance to see this spectacular show in Teatro Pradillo this summer. The performer Jewels has won critical acclaim around the world for her mix of comedy, charisma, charm and personality. The beautiful Jewels was born in Russia and grew up in Sweden and England, and has performed in more than 18 countries in the last 13 years. Teatro Pradillo, c/Pradillo, 12, tel: 91 416 90 11 (Metro: Concha Espina). Tickets: €12. 9pm, 18-26 July. No show on 21 July.

Sobre Flores y Cerdos A show written, directed and starring Nancho Novo. This work is from the multifaceted actor from Galicia, and comes to us in the form of a one-man performance. With his particular sense of humour and style, he uses fragments of musicals to create a show that talks about love and partnership. It's a unique and original show; the monologue seems to have nothing to do with the topic but its themes are universal. The show integrates the audience and makes them feel involved. Nancho Novo is a great performer, whose stories, songs and poems utilise his sarcastic sense of humour. He uses it to reflect on the world of the couple and love in general. Teatro Alfil, c/del Pez, 10, tel: 91 521 45 41 (Metro: Tribunal/Noviciado/Callao). Tickets: €20. Tues-Sat, 10.30pm; Sun, 8.30pm. Until 3 August.

Parasio Siete A play created by the group La Familia, it’s a dance-cabaret with live music. The play is about recovering and recuperating the human quality. It also discusses utopian topics, material goods, human materialism and the individual’s role in society. The plot: a group of people share their loneliness . . . they call it “X”. In X what they are looking for is a family — the interior family, a safe place, a haven. They call Paraíso Siete a club of sorts, a gathering of people to support, an orphanage, a place where one prepares to be reborn, a dream, a place to go or stay or rest, a country of lost souls. What is it? Who knows? And who does it matter to? The play asks the questions: Where are we? Where are you? Where are we in relation to others? In most cases, as in Hansel and Gretel, bits and pieces led us to the place we are now. Teatro Pradillo, c/Pradillo, 12, tel: 91 416 90 11 (Metro: Concha Espina). Tickets: €12. 9pm. 4-12 July. No show on 7 July.

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